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MARC CHAGALL
Italian
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Chagall Marc
(1887-1985) |
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Mark
Zakharovich Shagal,
known today all over the world as Marc
Chagall, was born on July 7, 1887, in Vitebsk,
Belorussia. He was the oldest of nine brothers. His father
worked in a salt herring factory, his mother took care of the
household, and the grandfather taught the boy, instilling in him
love for religion and the knowledge of the Torah. In 1906,
Chagall left the Jewish elementary school he attended and began
studying at Yehuda Pen's school of painting in Vitebsk. In the
winter of the same year, Chagall decided to move to St
Petersburg, hoping that his art would find approval there.
However, he failed his first art examination. Putting his pride
aside, in 1907 Chagall applied to and was accepted to the school
of the Society for the Encouragement of the Arts in St.
Petersburg, directed by Nikolai Roerich. Dissatisfied with the
school, he transferred to Zeidenberg's private art school and
later to Zvantseva's School, where he studied with Mstislav
Dobuzhinskii and Lev Bakst. In 1910 he moved to Paris and found
a place in the famous "La Ruche" (Beehive) in the Vaugirard
district, where he met the poets Blaise Cendrars and Guillame
Appolinaire, and the painters Chaim Soutine, Fernand Leger, and
Robert Delaunay. Chagall always stressed the importance of Paris
for his development: "In Paris, it seems to me, I have found
everything, but above all, the art of craftsmanship. I owe all
that I have achieved to Paris, to France, whose nature, men, the
very air, were the true school of my life and art." Chagall's
exposure to Cubism resulted in his attempts to incorporate the
Cubist multiple points of view and geometric shapes into his
compositions, as can be seen in two of his best known early
paintings, Me and My Village (1911) and Self-Portrait with Seven
Fingers (1912-13).
Two years later, Chagall contributed to the Salon des
Independants and Salon d' automne as well as to Larionov's
Donkey's Tail exhibition in Moscow. In 1913 participated in the
Target exhibition and in 1914 had his first one-man show at the
Galerie der Sturm in Berlin. The same year Chagall returned to
Russia and went to Vitebsk, where he married Bella Rosenberg who
would become an inspiration for many of his works. From Vitebsk,
the married couple moved to St. Petersburg (at that time
Petrograd). Chagall contributed to the Exhibition of Painting,
1915, and a year later sent over forty paintings to the Jack of
Diamonds show in Moscow. After the Revolution Chagall was active
as an art educator. He moved back to Vitebsk and in 1919 became
a founder, director, and the most popular teacher at the Vitebsk
Academy. However, because he wanted the school to express all
points of view on art, he was ousted by the Malevich fraction (Suprematists)
and left Vitebsk for Moscow. In Moscow, Chagall collaborated
with the Kamernyi State Jewish Theater and with the Habimah
Theatre. He left Russia in 1922 and, after a year in Berlin,
settled in Paris in 1923. In 1924, he had the first major
retrospective at the Galerie Barbazanges-Hoderbart. In the mid
twenties Chagall produced illustrations to La Fontaine's Fables.
The artist visited Palestine (1931), Holland (1932), Spain
(1934-5), Poland (1935), and Italy (1937); in 1941 he had to
leave Germany and seek shelter in the United States. The death
of Bella stopped Chagall's creativity for many months. After his
return to France in 1948, the artist decided to move to the
south of France and in 1950 he settled in Saint-Paul-de-Vence.
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Two years later, he married Valentine ("Vava")
Brodskii. His new wife was an important factor in Chagall's recovery as
a painter. She encouraged him to undertake large artistic projects, for
instance the cycle Biblical Message. Finished in 1966 and installed
seven years later in the National Museum of the Marc Chagall Biblical
Message in Nice, the paintings (see a selection below) astonish with
their vivid colors and their poetic interpretations of the Biblical
texts. Among the largest projects was the decoration of the ceiling of
the Paris Opera (1964), and the murals for the Metropolitan Opera in New
York (1965). He also explored the technique of stained-glass, designing
windows for the Cathedral in Metz (1959-62), for the Hadassah Hebrew
University Medical Center in Jerusalem (1960-1), for the Cathedral at
Reims (1974), and for Saint Etienne Church at Mayence (1978-81). In the
West, Chagall had countless exhibitions and retrospectives. In Russia,
after many years of silence and disregard for the artist, an exhibition
of Chagall's works from private collections was organized in Novgorod in
1968, and five years later Chagall was invited to visit Moscow in
connection with a small retrospective of his work. Finally, on the
centenary of the artist's birth, a large exhibition opened at Pushkin
Museum in Moscow, and a Chagall Museum was opened in Vitebsk.
Chagall's illustrations to the Bible: Song of Songs III (1960), Jacob's
Dream (1954-67), Adam and Eve Expelled from Paradise (1954-67), and
Abraham and the Three Angels (1954-67).
Chagall occupied a unique place in world art. Even though at times he
was slighly influenced by the contemporary developments in arts (as when
he discovered Cubism, for example), throughout his long life he was an
independent artist, often criticized for his lack of "realism" or for
his lack of desire to explore non-objective art. The sources of his
inspiration are found in his childhood, in the life of a provincial city
of Vitebsk and its Jewish community, the Scriptures, and, more
surprisingly, Russian folk art and icon painting. He was a poet, and his
artistic visions can be considered "poetry in colors and shapes." He
populated his pictures with angels, lovers, flying cows, fiddlers,
circus performers, and roosters, creating lyrical poems which proclaimed
the beauty of all creation, as well as his unwavering belief in the
existence of miracles and in the infinite wisdom of the Creator. Despite
some dark moments in his personal life, he remained an optimist, and
with every brushstroke, every green, blue, or purple face of his
violinists, every kiss and every embrace of his lovers, every little
house or church of Vitebsk, every image of the Eiffel Tower, his
paintings seem to sing the "Ode to Joy." [S.H. and A.B.]
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